Adding the Fujifilm X-Pro2 to my kit has had me reviewing jpg-output custom image settings again. It's a regular topic of conversation on internet forums and reviews and blogs -- how to set up the custom functions in the X100T, on the X-T1, or, now, the X-Pro2?
There are something like a million possible permutations of settings for each of the custom collections: how to pick, and how to keep track of the selections (What did I have on C3 again?)? My choice has been to break things down along just two axes: picture type and color/monochrome. I then to set all cameras to use the same custom-settings layout so I only have to learn one setup:
A picture is worth books full of text. Here are the various film simulation modes available on the X-Pro2, along with Adobe Camera Raw’s attempt at “Auto” adjustment. New for this camera are the “Acros” B&W modes.
Why don’t more industrial designers design for fingertips? They seem to understand grip, but sensation… less.
Over the past couple of years I’ve taken to hacking the mechanical controls of my cameras (and a few other items) with Sugru, a quick-curing material that’s a bit like a cross between modeling clay and rubber. The idea is simple: provide tactile landmarks for my fingers, so that I can use the camera’s controls without needing to look at them – either because it’s raised to my eye, or even if the camera is out of sight in my bag or jacket pocket, preparing for the next shot.
Who needs Photoshop when you have Theano?