Close to the last exposures on my 15-year-old spool of Neopan 1600, rated variously at ISOs 100 to 400 and attempted in Rodinal, D-76, and X-tol. I adored this film when it still had a rating of 1600 – but today, expired and degraded, there’s too much pain and grain for too little gain. The next sixteen rolls in the bulk loader are HP5, and Pan-F is on deck.
As a learning/relearning opportunity, sure. It’s been a surprise to realize how many of my old film skills remained, but also how many had been forgotten or erased by a decade and a half of digital shooting. The biggest challenge in relearning is trying to sort out what you know from what you think you know. Or thought you knew until the negative comes back thin and soft-focus as a cloud’s ghost.
This $150 Yashica has been with me since high school – hokey meter, questionable low speeds, flare and all. I’ve scrounged-up most of the original accesories, one at a time. I even have the user manual, which contains banal sample holiday snaps, maybe made at Marine World. Only years later did I recognize the byline on those photos: Weegee. Wait, Weegee?
Truthfully, away from strong light directly into the lens and above ƒ/5.6, it’s hard to imagine wanting to replace this camera with anything fancier. Just be careful about the direction: don’t point it into the sun. Or a flash bulb, Weeg.
Apparently all of these more-recent celebrity portraits were also made with the same Yashica.
I’m not going to pay $2000 for a drying cabinet but $23 for a 9x12” USB-powered LED light panel seems okay. I’ve gotten into the habit of connecting it to a spare phone battery: I can then use it as handheld light source to preview wet negatives fresh out of the wash. Snap a view from my phone and flip it in Snapseed and boom, super-trashy, super-quick, scans.
Normally these would be for my personal quick-check, or on occasion a text message. This morning’s a bit different if only due to my excitement: there’s a little carnival set up in the fairgrounds parking lot, the first open public gathering I’ve seen in our town since March of last year.
Can’t wait to post a couple of snaps:
Unexpected but true department: a Fuji dedicated flash is my favorite for non-dedicated Leica hot shoes.
(For dedicated shoes, too)
Well, shucks. On the film roll loaded immediately after the Leaky One – within just five or ten minutes of that previously-shown light-stained shot – the results now appear 100% leakless, including the snapshot above.
Mystery leaks: they happen. I’ve read about cameras that have been sent to one expensive technician after another, and yet the leak was never found. Or maybe it’s some subtle mistake I made for that one roll. Lens change? I doubt it.
Every photo should have an element of mystery, sure. Just usually not this kind.